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Saturday, January 17, 2009


After a long fight with director S Mahendar, producer-cum-director Dayal Padmanabh is out with Kannada movie Circus. The director has really stressed hard himself in weaving the story of the movie Circus. Golden star Ganesh's movie runs like a railway compartment and reaches the happy end. The movie is a pure entertainer. It will fulfill the dreams of the director, who is expecting Rs 7 crores.

Dayal's story, dialogues and the direction and Ganesh's performance will really rock the audiences. The movie could have been failed if Ganesh had not given his usual performance. The director has got good grip on the story, which runs like a train facing bridges and tunnels here and there. He has got strong hold on the story, which looks like compartments. And the of the movie has filled the fuel to the train to run faster. Shekhar Chandru's camera done a magic in the movie.

Life is like a train and if train misses the track, then it is sure to fall in ditch. Ganesh and his other three friends play a prank, which challenges all the lives of the passengers in the train. How they manage to save all the lives is the whole gist of the movie.

Like the railway station, the movie is also filled with many people. Sometimes Dayal fails to take the advantage of all these characters and he pulls the chain of the train here and there. Ganesh and his three friends, terrorist who are trying to explode the train, the heroine, who does not understand the hero, Sadhu Kokila and Avinash all look like passenger in the raiway station. Dayal has created Ganesh's character like a train engine, which drags all along with it.

Ganesh has got a different look in this movie. He does not have too much of artificial things as it used to be in his movies. Shekhar Chandru's camera, which seems another proof to this, has caught the changing feelings on his face properly. Though Dayal himself has written the dialogues of the movie, Yogaraj Bhat's way is clearly visible here and there.

Actress Archana Gupta, who does not know Kannada, has failed to lure the Kannada Audiences. She is merely a doll, who does not even understand what the other characters around her are speaking. Even the director has failed to use the actress in a proper way.

There is no liveliness in the music of the movie. Songs like 'Akashakke Yeni', 'Baro Geleya', 'Pisugudade' will not touch the hearts of the audiences. A song from Dr. Raj starrer movie Amar Gite, 'Jeeva Huvagide' has been remixed in the movie. Even this song has also failed to impress the audiences. 'Jinke Mari' fame Emile's music runs monotonously through the movie.

Director Dayal would have been more successful, if he had given a touch of real life to the movie. Instead he has followed the success formula, which has turned the movie a pure entertainer. One can watch once and enjoy it.

movie circus review, archana gupta, director dayal padmanabh, golden star ganesh

2008 has been a decisive year for Govinda. After working with Mani Ratnam he has decided to work only with directors of a certain caliber.

And now in 2009 Govinda has far more to look forward to. His daughter Narmada will finally be facing the camera and that too with a home production.

Confirming these radical developments in his life Govinda says, "After weighing all the pros and cons I decided I'm the best person to do the needful. I don't want anyone else no matter how well-meaning to take the credit for launching my daughter. So yes, Narmada will finally be launched anytime in 2009."

The director to do the needful for Govinda will be finalized in the next couple of weeks. Those on Govinda's wish-list are Nikhil Advani and Shaad Ali.

"Ideally," says the anxious father, "I'd have liked Narmada to be launched by Sanjay Leela Bhansali. He's among our best. But since that's not possible we're looking at some other names. My daughter has to be directed by someone who has a vision and an aesthetic sense and also respects the work that I do."

Continuing to speak on his favourite subject Govinda says, "I've struggled all my life and I continue to do so. All kinds of strange stories are planted about me. The question is not, why. But by whom? Narmada has also faced very harsh and hurtful incidents (she was involved in a terrible road accident) so early in her life. I feel today she's emotionally equipped to face the camera."

While focusing on his daughter's career Govinda has also taken some hard career decisions for himself. "Six of my releases are ready. But now, after my so-called comeback I've again stopped signing new films. After working with Mani Ratnam I can't go back to doing chalta hai roles in routine films. I'll work only with directors who are as organized and disciplined as Mani Ratnam. He's clear-headed about everything."

Shooting in the jungles wasn't easy. "But it wasn't so tough either," laughs Govinda. "I've spent my childhood in a village. So I'm used to being cut off from city life. Shooting in the jungles with Mani, Abhishek and Aishwarya was very invigorating."

Says Govinda, "For now I'm saying no to all future assignments until I get something comparable with Mani's film. But I'm in negotiation with Ravi Chopra for his next film after Banda Yeh Bindaas Hai which is now complete and being released in February, and for the sequel to Partner with Salman and David. But for now, I'm focusing on giving my daughter the best career launch any father can give."


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Friday, January 16, 2009








photoshoot Minissha Lamba explores Vicky Idnani's camera with her lately developed awesome sex appeal. Minissha sashays her way in your heart with those sinuous moves and captivating physical appeal. Delirious watch experience!














Model turned actor Liza Lazarus who's in the city was caught animatedly talking about co-star Salman Khan.







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In the initial years of his career, Ramesh Sippy made two gems that we remember [and cherish] to this date -- SEETA AUR GEETA and SHOLAY. SEETA AUR GEETA was about twin-sisters -- the docile and the aggressive. SHOLAY, of course, needs no introduction. Yet, to update the unacquainted, Ramgarh is gripped by a terror called Gabbar. Resultantly, Thakur recruits two men to put an end to Gabbar's tyranny.

Nikhil Advani pays homage to Ramesh Sippy's movies by merging SHOLAY and SEETA AUR GEETA. But this concoction called CHANDNI CHOWK TO CHINA is as bland as khichdi.

Write your own movie review of Chandni Chowk To China
Come to think of it, Nikhil Advani had everything going for him. It's a dream project, what with heavyweights such as Warner Bros., Ramesh Sippy, Akhay Kumar and Gordon Liu agreeing to be a part of this mammoth project. But Nikhil slips and trips, falling flat on his face.

A masala film is always welcome. In fact, two desi films [RAB NE BANA DI JODI and GHAJINI] have been lapped up by the junta in a big way, but CHANDNI CHOWK TO CHINA is an unbearable masala fare that insults the intelligence of the moviegoer.

The problem with CHANDNI CHOWK TO CHINA is that it lacks a watertight screenplay to keep you glued for those 2.45 hours. Agreed, you don't look for logic and reason in hardcore potboilers, but the least the director and his team of writers could do is provide loads of entertainment. Sadly, writers Shridhar Raghavan and Rajat Aroraa make mincemeat of a plot that had the potential to woo viewers from Chandni Chowk to China to Chicago to Cape Town.

So, what's the verdict then? Enjoy Chinese food instead. This one's a big, big, big letdown!

Sidhu [Akshay Kumar] cuts vegetables at a roadside food stall in Chandni Chowk in Delhi. He longs to escape his dreary existence and looks for shortcuts -- with astrologers, tarot readers and fake fakirs -- believing anything except himself, despite his father figure Dada's [Mithun Chakraborty] best efforts.

The story takes a turn when two strangers from China claim he's a reincarnation of a war hero and take him to China. Thanks to the devious translator, a conman by the name Chopstick [Ranvir Shorey], little does he know that he is being taken to the Chinese village of vicious smuggler Hojo [Gordon Liu].

Therefore, Sidhu blissfully sets forth to China with Chopstick, who instigates dreams of a delicious future and forgets to reveal the perils, which await him. Along the way, he meets Sakhi [Deepika Padukone], who has embarked on a journey to pay homage to the land of her birth and her dead father and twin.

Hojo catches up with Sidhu and eliminates Dada right in front of everyone. Sidhu seeks revenge and finds the one man who will make him a Kungfu expert and set the village free from Hojo's tyranny.

On face-value, what do you expect from CHANDNI CHOWK TO CHINA? Laughter unlimited, great martial arts, a glimpse of China. But what's served on the platter is so insipid, so lame, so senseless that you wonder if there was a script in the first place. The comic scenes [that make you laugh] are few and far between. The scenes depicting martial arts are hardly exciting. Also, barring the Great Wall of China, don't expect China darshan here!

There are big holes in the script. Sample these... * How and why do the two oppressed Chinese men suddenly land up in Chandni Chowk in Delhi? Also, how do they zero on Ranvir Shorey? No explanations offered. * Deepika's track of visiting China is trite. Wasn't the twin-sister, an infant, thrown off the Great Wall of China? How did Gordon Liu suddenly decide to bring her up? * Similarly, Deepika's father was also pushed from the Great Wall, but he survives. Akshay too is beaten black and blue and thrown off [coincidentally, from the same place -- Great Wall], but is rescued mid-air by Deepika's father. Miracles never cease to occur, must add.

Post interval, Akshay undergoes a gruelling training session, but not once does the preparation give an impression that Akshay is seething with anger and vengeance. That's because the director has injected humour in these scenes and that takes away the seriousness from the plot. The climax is equally contrived and hence, makes no impact whatsoever.

Although the year 2009 has just begun, this film is sure to be a strong contender in Razzies in two departments mainly -- direction and writing. Nikhil Advani goes horribly wrong this time. As for the writers, well, they ought to take a crash course in film writing pronto. The songs are okay, with the title track and 'Naam Hai Sidhu' being the pick of the lot. The stunts [Dee Dee Ku] are plain mediocre. Even the dated martial arts' movies produced in the East offered better stuff. Himman Dhamija's cinematography lacks the picture perfect look.

Akshay Kumar is the sole saving grace, but the director hasn't tapped his potential to the fullest. Deepika Padukone is passable. Gordon Liu is decent. Ranvir Shorey is functional. Mithun Chakraborty is bland. Roger Yuan, Deepika's father in the film, is fair.

On the whole, CHANDNI CHOWK TO CHINA is a brilliant opportunity gone appallingly wrong. The film falls way below expectations and is a major disappointment in all respects. At the box-office, the hype might translate into a bountiful weekend, that's it. Thumbs down!